Tales of the Supernatural in Early Modern Japan: Kaidan, Akinari, Ugetsu Monogatari

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5.0 out of 5 stars One of the best resources on kaidan ever published

I first encountered these articles in the academic journal of Asian Folklore Studies, when I was writing my Master’s thesis on yurei, the Japanese ghost. The two main articles, “The Emergence of Kaidan-shu” and “The Appeal of Kaidan” formed the backbone of my research, and I am thrilled to see them collected here in book form.

Noriko T. Reider probably knows more about kaidan, Japanese strange stories, than any other person around. When I was doing research for my MA, I read through literally hundreds of books, both in English and Japanese, and it was Reider’s articles that I kept coming back too. She has a way of writing that is concise and readable, academic without drowning in its own language like books like Civilization and Monsters: Spirits of Modernity in Meiji Japan which is so dense as to be almost unreadable.

“Tales of the Supernatural in Early Modern Japan, Kaidan, Akinari, Ugetsu Monogatari” has four chapters, each with a different focus. “The Emergence of Kaidan-shu” is a history lesson on from its beginnings in early folktales to the kaidan-boom of the Edo period. Next, “Belief in the Supernatural in the Edo Period” discusses the attitudes towards the supernatural in Edo period Japan and how they created the atmosphere in which the kaidan genre could arise. “The Appeal of Kaidan” discusses people’s fascination with gory and grotesque stories, and what is it that drives people to tales of the unknown. The last chapter, “Akinari and Kaidan Ugetsu Monogatari” discusses in depth Ueda Akinari, author of Tales of Moonlight and Rain, possibly the best kaidan book ever written.

While the pure history of the first few chapters is interesting, Reider’s focus on the concept of obsession and the role it plays in Akinari’s celebrated book brings her collection to a higher level. She clearly has a passion for Akinari’s work, and it shows as she dissects the nine tales in Akinari’s book, looking into the driving nature of each character to focus on and pursue what obsesses them.

There is a dearth of good material writing on the fascinating world of Japanese kaidan, and it is a real shame. But of what is available, Reider’s work is definitely the cream of the crop, and if I was a professor grading a paper that discussed Japanese supernatural in any way, and Reider’s name and “Tales of the Supernatural in Early Modern Japan, Kaidan, Akinari, Ugetsu Monogatari” was not in the bibliography, you would need a pretty good excuse to get a passing grade.

Hell Girl

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5.0 out of 5 stars Straight to Hell

The horror anthology series has a long history. Shows like Twilight Zone, Night Gallery and old comic series like Vault Of Horror and Tales From The Crypt, were all once hugely popular. Although the anthology format has almost disappeared in the US, it still retains its popularity in Japan, especially with horror.

“Hell Girl” (A literal translation of the Japanese title,”Jigoku Shojo”) is a great horror anthology series, steeped in traditional Japanese folklore. The Hell Girl herself, Enma Ai, has her name taken from Enma-O, the judge of the dead who balances the karmic scales and sends people to hell. She rides in Wanyudo, a flaming oxcart wheel with a man’s face in the center that is said to be the traditional method of transport to Hell. Wanyudo is also one of Enma Ai’s companions in meeting out vengeance, along with Hone Onna, the Bone Woman, and Ren Ichimoku who is a tsukumogami.

Each episode is essentially a new story, following a standard pattern. Someone is being victimized, and so they go to a website called “Hell Correspondence,” where they enter in the names of the person they want revenge on. Enma Ai then appears, and hands them a straw doll with a red string around its neck. She explains that if they pull the string, who ever they have a grudge against will be sent immediately to Hell, but in payment the string-puller will also go to Hell when they die naturally. This compact is sealed by a sign upon the string-pullers chest, showing they are hell-bound.

The stories range from common problems like stalking and bullying to irresponsible doctors and uncaring mothers. Some of the episodes are cut-and-dry, but some are more complicated such as when Enma Ai refuses someone because their “rage is not strong enough.” Later, some of the back story of Enma Ai and her group are revealed, such as how Wanyudo came to join the group and the relationships between the Hell Group. In Episode fourteen, Takuma Kurebayashi is introduced, who becomes a continuing character in some linked stories later on.

“Hell Girl” was a hugely popular series in Japan, with two more seasons as well as a being adapted into a comic book and a live-action TV series. The following series still have the anthology format, but go even deeper into the Enma Ai’s story.

Funimation’s “Hell Girl” release contains all 26 episodes of the first season, packaged onto four disks in slim cases. The presentation is really beautiful, as lovely as the animation inside. There are some nice bonus features, like a video character profile of Enma Ai that was used to promote the series, and a round-table discussion with the Japanese voice actors on what the series means. There is also a live-action music video, a “Making of” that video, and a textless opening and closing.

I thought “Hell Girl” was a great series. I love Japanese folklore, and it was great to see it so well-handled. I hope Funimation keeps up with the series and delivers the next two seasons!

Eat Sleep Sit: My Year at Japan’s Most Rigorous Zen Temple

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5.0 out of 5 stars What is religion, and what is faith?

Most Westerners have a deep and profound misunderstanding of Zen. There is an image of calm monks “being one” with things, in a relaxed state of serenity, with some sort of special insight lacking in the hustle and flow of the busy modern day world. This is the picture sold to us by dealers in Orientalism, who emphasize the “otherness” of Eastern cultures and want you to participate in their weekend seminar of “detoxification and relaxation.”

The truth of Zen, the harsh discipline, the manual labor, the emphasis on the repetition of overly-complicated ceremonies for simple activities like going to the bathroom, is not such an easy sell. This aspect of the religion is mostly ignored by Westerners, who do not want to expend the physical effort to achieve the longed-for mental state. Nonomura Kaoru’s “Eat Sleep Sit: My Year at Japan’s Most Rigorous Zen Temple” is, thus, a real eye-opener.

Unlike other books in the same vein, such as A Year in the Life of a Shinto Shrine, “Eat Sleep Sit” is not really here to explain Zen Buddhism. It is much more of a personal memoir, of a record of what happened over the Nonomura’s year as a monk-in-training at Eiheiji, one of Japan’s two major training centers of the Soto sect of Zen Buddhism. Much of the book is little more than an explanation of the day-to-day mundane activities Nonomura was forced to perform. And that is what makes it excellent.

The Soto sect has a reputation as being the “kinder, gentler” form of Zen Buddhism, in contrast with the Rinzai sect which was also known as “Samurai Zen,” as the harshness of its training appealed to the warrior caste. However, to those unfamiliar with true Zen Buddhism will probably find Eijeiji’s routine strict enough. The beatings by senior monks, the mindless and slavish adherence to ancient rituals, the breaking of the slightest of which brings swift and harsh punishment, are all designed to break down the ego and sense of self of initiates, reducing them to the empty vessel required to enter the empty state of Zen.

Nonomura takes the reader through the same process. Instead of attempting to “explain Zen,” which cannot be explained at any rate, he shows you the path. He takes you through the tasks and ceremonies, the manual labor and punishments, because that is how one gains insight. Even though “Eat Sleep Sit” is not specifically about Zen Buddhism, I learned more about the mind-set of monks than I have learned from any number of books that more directly explain the religion.

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